Monday'simage

Monday's image: May 20, 2019

Uemura Shōen, Mother and Child, Color on silk, 168 x 115.5 centimeters, 1934, The National Museum of Modern Art, Tokyo, Japan

Monday's image: May 13, 2019

Haegue Yang, Series of Vulnerable Arrangements — Domestics of Community, Installation with seven light sculptures composed of clothing rack and shoe rack on casters, light bulbs, cable, knitting yarn, rope, socks, hammock net, aluminum venetian blinds, stainless steel strainer, paint grill, fish grill, plastic tube, plastic packages, plastic funnel, tin, buttons, metal ring, metal sponge, silver tinsel, mardi gras bits, toy spring, garden supply, and sea shells, Dimensions variable, 2009, Carnegie Museum of Art, Pittsburgh, Pennsylvania

Monday's image: May 6, 2019

Oliffe Richmond, Marathon, Lithograph on paper, 483 x 251 millimeters, 1966, Tate Gallery, U.K.

Monday's image: April 29, 2019

Artist unidentified, possibly Desire Parker, Wonderbread-Bag Rug with Ball of Twine, Plastic Wonderbread bags, 60 inches in diameter, Ledyard, Connecticut, Twentieth century, American Folk Art Museum, New York

Monday's image: April 22, 2019

John Ahearn, Pinwheel, Plaster, 95.25 x 110.49 x 15.24 centimeters, 1998, Albright-Knox Art Gallery, Buffalo, New York

Monday's image: April 15, 2019

Hassan Massoudy, La beauté sauvera le monde, Water-based pigments on paper, 95 x 75 centimeters, 2008, Kadist, Paris, France

Monday's image: April 8, 2019

Dona Nelson, Full Sack, Acrylic mediums, muslin, dyed canvas strips, and dyed cheesecloth on canvas, 1990, Tang Teaching Museum and Art Gallery, Saratoga Springs, New York

Monday's image: April 1, 2019

Larry Johnson, Ancient Battlefield, Collage on Masonite, 46.5 x 39 inches, 1958, The Nelson-Atkins Museum of Art, Kansas City, Missouri

Monday's image: March 25, 2019

Eric Cameron, Alarm Clock (3295) (from the series “Thick Paintings “, 1979 - 1994), 3295 layers of acrylic medium on an alarm clock, 43 x 46 x 17 centimeters, 1979-1994, The Musée d'art contemporain de Montréal, Canada

Monday's image: March 18, 2019

Janet Burchill, Jennifer McCamley, SAFE, Neon, electric cables, fittings and transformer, 23 x 150 centimeters, 2005, Art Gallery of New South Wales, Sydney, Australia

Monday's image: March 11, 2019

Alex Hay, Crumpled Yellow Paper, Cotton paper, acrylic paint, epoxy resin, sandblasted, 48 x 164 x 113 centimeters, 1967, Moderna Museet, Stockholm, Sweden

Monday's image: March 4, 2019

George Segal, The Curtain, Plaster, glass and painted wood, 214.6 x 99.7 x 90.2 centimeters, 1974, Smithsonian American Art Museum, Washington, D.C.

Monday's image: February 25, 2019

Craig Kauffman, Le Mur s'en va (The wall goes away), Synthetic polymer on acrylic plastic, 185.4 x 120 x 22.9 centimeters, 1969, Art Institute of Chicago, Illinois

Monday's image: February 18, 2019

Janine Antoni, Unveiling, Bronze bell, lead clapper, fabric tassle, Edition 3/3, 53.5 x 33 x 33 centimeters, 1994, Irish Museum of Modern Art, Dublin, Ireland

Monday's image: February 11, 2019

Salvador Dalí, The Image Disappears, Pen and black ink on ivory wove paper, 647 x 508 centimeters, 1938, Art Institute of Chicago, Illinois

Monday's image: February 4, 2019

Charles Sheeler, Incantation, Oil on canvas, 61.3 x 51.1 centimeters, 1946, Brooklyn Museum, Brooklyn, New York

Monday's image: January 28, 2019

Cypro-Classical II, Terracotta head of a woman with a veil, Cypriot, Terracotta, 8.3 centimeters, circa 400-310 B.C., The Metropolitan Museum of Art, New York

Monday's image: January 21, 2019

David Bomberg, The Mud Bath, Oil paint on canvas, 152 x 224 centimeters, 1914, Tate Gallery, U.K.

Monday's image: January 14, 2019

Raquel Ormella, This dream, Nylon, 150 x 210 centimeters overall, 2013, Art Gallery of New South Wales, Sydney, Australia

Monday's image: January 7, 2019

Thomas Ruff, jpeg msh01, Chromogenic color print, 276.2 x 188 centimeters, 2004, Museum of Modern Art, New York