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Monday's image: August 19, 2019

Jonathan Moller, Three women, themselves survivors of the violence, watch as the remains of relatives and friends who were killed by the military in the early 1980s are exhumed, Nebaj, Quiché, Guatemala, Gelatin silver print,16 x 20 inches, 2000, Akron Art Museum, Akron, Ohio

Monday's image: August 12, 2019

Carl Andre, Crowding, Cut-and-pasted printed paper on board, 28.3 x 14 centimeters, 1965, Museum of Modern Art, New York

Monday's image: August 5, 2019

Martin Puryear, Sanctuary, Pine, maple and cherry, 126 x 24 x 18 inches, 1982, Art Institute of Chicago, Illinois

Monday's image: July 29, 2019

Anthony McCall, You and I, Horizontal, Computer, computer script, video projector and haze machine, 50 min. cycle in six parts, Dimensions variable, 2005, San Francisco Museum of Modern Art, California

Monday's image: July 22, 2019

Francesco di Giorgio Martini, Saint Bernardino Preaching from a Pulpit, Tempera on parchment, 21 x 14.3 centimeters, 1470-75, The Metropolitan Museum of Art, New York

Monday's image: July 15, 2019

Peter Doig, Untitled, Oil paint on paper, 505 x 685 millimeters, 2008, Tate, U.K.

Monday's image: July 8, 2019

Richard Marquis, Confetti Pyramid, Kiln-formed glass, 20.3 x 28.9 x 28.9 centimeters, 2007, The Corning Museum of Glass, Corning, New York

Monday's image: July 1, 2019

Benjamin Armstrong, Old Friends, Blown-glass, pigment, plaster, wax, 104 x 36 x 17 centimeters, 2004, Museum of Contemporary Art, Sydney, Australia

Monday's image: June 24, 2019

Susan Rothenberg, Blue Head, Acrylic and vinyl based paint on canvas, 114 x 114 inches, 1980-81, Virginia Museum of Fine Arts, Richmond, Virginia

Monday's image: June 17, 2019

Quentin Massys, Portrait of a Man with a Pink, Oil on panel, 43.2 x 28.4 centimeters, 1504 - 1514, The Art Institute of Chicago, Illinois

Monday's image: June 10, 2019

Bea Maddock, Cast a shadow, Photo-etching, aquatint, black ink on white wove paper, 97.3 x 68.4 centimeters, 1972, Art Gallery of New South Wales, Sydney, Australia

Monday's image: June 3, 2019

Thornton Dial, Flowers for Peace (Primary Title), Pastel, watercolor and pencil on paper, 44 x 30 inches, 1996, Virginia Museum of Fine Arts, Richmond, Virginia

Monday's image: May 27, 2019

Jacob Lawrence, They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Casein tempera on hardboard, 18 x 12 inches, 1940-41, The Museum of Modern Art, New York

Monday's image: May 20, 2019

Uemura Shōen, Mother and Child, Color on silk, 168 x 115.5 centimeters, 1934, The National Museum of Modern Art, Tokyo, Japan

Monday's image: May 13, 2019

Haegue Yang, Series of Vulnerable Arrangements — Domestics of Community, Installation with seven light sculptures composed of clothing rack and shoe rack on casters, light bulbs, cable, knitting yarn, rope, socks, hammock net, aluminum venetian blinds, stainless steel strainer, paint grill, fish grill, plastic tube, plastic packages, plastic funnel, tin, buttons, metal ring, metal sponge, silver tinsel, mardi gras bits, toy spring, garden supply, and sea shells, Dimensions variable, 2009, Carnegie Museum of Art, Pittsburgh, Pennsylvania

Monday's image: May 6, 2019

Oliffe Richmond, Marathon, Lithograph on paper, 483 x 251 millimeters, 1966, Tate Gallery, U.K.

Monday's image: April 29, 2019

Artist unidentified, possibly Desire Parker, Wonderbread-Bag Rug with Ball of Twine, Plastic Wonderbread bags, 60 inches in diameter, Ledyard, Connecticut, Twentieth century, American Folk Art Museum, New York

Monday's image: April 22, 2019

John Ahearn, Pinwheel, Plaster, 95.25 x 110.49 x 15.24 centimeters, 1998, Albright-Knox Art Gallery, Buffalo, New York

Monday's image: April 15, 2019

Hassan Massoudy, La beauté sauvera le monde, Water-based pigments on paper, 95 x 75 centimeters, 2008, Kadist, Paris, France

Monday's image: April 8, 2019

Dona Nelson, Full Sack, Acrylic mediums, muslin, dyed canvas strips, and dyed cheesecloth on canvas, 1990, Tang Teaching Museum and Art Gallery, Saratoga Springs, New York