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Monday's image: December 7, 2020

Michelangelo Pistoletto, Father’s Frame, Plaster, gauze and wooden frame, 102 x 69 x 6 centimeters, 1982, Nasjonalmuseet, Oslo, Norway

Monday's image: January 6, 2020

John Baldessari, Gemini G.E.L., Two Opponents (Blue & Yellow), from the portfolio America Coming Together (ACT): The 2004 Election Benefit Print Series, Lithograph on paper, Image/sheet: 30.2 x 30.2 centimeters, 2004, Nasher Museum of Art At Duke University, Durham, North Carolina

Monday's image: June 10, 2019

Bea Maddock, Cast a shadow, Photo-etching, aquatint, black ink on white wove paper, 97.3 x 68.4 centimeters, 1972, Art Gallery of New South Wales, Sydney, Australia

Monday's image: March 26, 2018

Elizabeth Kunreuther, Untitled (The Names Project: The AIDS Quilt, New York), Chromogenic print, 15.9 x 23.6 centimeters, 1988, Harvard Art Museums, Cambridge, MA

Monday's image: February 19, 2018

Robert Overby, Hall painting, first floor, Latex rubber, plaster, paint, and burnt wood, 107.5 x 78 inches, 1971, San Francisco Museum of Modern Art, California

Monday's image: July 25, 2016

Gustave Tassell, Woman's Hat, Yellow feathers on silk faille, Diameter: 10 inches/Height: 13 inches, 1965, Philadelphia Museum of Art

Monday's image: July 18, 2016

Gretchen Bender, People in Pain, (detail). Paint on heat-set vinyl and neon, 84 × 560 × 11 inches, 1988. Remade by Philip Vanderhyden, 2014. The Estate of Gretchen Bender. Via Whitney Museum, New York.