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Monday's image: July 8, 2019

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Richard Marquis, Confetti Pyramid, Kiln-formed glass, 20.3 x 28.9 x 28.9 centimeters, 2007, The Corning Museum of Glass, Corning, New York

Monday's image: January 16, 2017

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Erica Baum, Untitled (Reason), Gelatin silver print, 17 1/8 x 22 3/16 inches, Edition: 1/6 (2 APs), 1997, Whitney Museum of American Art, New York

Monday's image: December 12, 2016

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Barbara Kruger, Untitled (We Will No Longer Be Seen and Not Heard), Photo-offset lithograph and screenprint, nine prints, Image/sheet (each): 20 3/4 x 20 5/8 inches, Peter Blum Edition (Publisher), 1985, Smithsonian American Art Museum, Washington, D.C.

Monday's image: July 18, 2016

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Gretchen Bender, People in Pain, (detail). Paint on heat-set vinyl and neon, 84 × 560 × 11 inches, 1988. Remade by Philip Vanderhyden, 2014. The Estate of Gretchen Bender. Via Whitney Museum, New York. 

Monday's image: July 11, 2016

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Bruce Nauman, Untitled, Fiberglass, polyester resin and neon tubing, 4 x 6 x 79 inches, 1965, The Menil Collection, Houston

Monday's image: June 27, 2016

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Tony Feher, It Seemed a Beautiful Day, Mixed-media installation, Dimensions variable, 2002, San Francisco Museum of Modern Art, California

Monday's image: January 25, 2016

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Dorothea Rockburne, Drawing Which Makes Itself: Neighbourhood, Transparentized paper, pencil, colored pencil, and felt-tip pen on wall, 107 x 150 inches, 1973, Museum of Modern Art, New York