Eugenio Dittborn, 8 Sobrevivientes (8 Survivors), Screenprint on folded brown Kraft paper housed in brown Kraft paper envelope screenprinted with artist's standard mailing form and collaged documentation label, sheet: 79 7/8 x 60 1/2 inches, envelope: 20 11/16 x 15 15/16 inches, Printer: Impresos Punto Color Limitada, Santiago, Chile, 1986, Museum of Modern Art, New York
Al Loving, Brownie, Sunny, Dave, and Al, Stained, torn, cut, and sewn canvas, and wooden rod, 174 × 132 3/4 inches, 1972 (later revised), National Gallery of Art, Washington, D.C.
Richard Halls, Federal Dance Theatre presents Salut au monde adapted from a poem of that name by Walt Whitman, Color silkscreen, Published by Federal Art Project, New York City, 1936 or 1937, Library of Congress, Washington, D.C.
Alberto Burri, Composizione (Composition), Burlap, thread, synthetic polymer paint, gold leaf, and PVA on black fabric, 86 x 100.4 cm, 1953, Guggenheim Museum, New York
Elsa Medina, Nido de las Águilas, Tijuana, Baja California, Gelatin silver print, 8 1/4 x 12 5/8 inches, 1996; printed 2011, San Francisco Museum of Modern Art, California
Dorothea Rockburne, Drawing Which Makes Itself: Neighbourhood, Transparentized paper, pencil, colored pencil, and felt-tip pen on wall, 107 x 150 inches, 1973, Museum of Modern Art, New York
Laura Belém, Ao encontro de... (Meeting with...), video installation, single-channel video, color, with sound, 8:37 minutes, dimensions variable, 2003-2004, San Francisco Museum of Modern Art, California. (Note: Full video can be viewed via the artist's website, hyperlinked above.)
Dieter Roth, Lion Cage (Löwenkäfig), Intaglio printing (etching and halftone block), photomechanical reproduction of a drawing and a picture postcard, 23 13/16 × 19 7/8 inches, 1971, Metropolitan Museum of Art, New York
Tsukioka Yoshitoshi, The Girl Saku Rescuing a Baby from the River, Color woodblock print, 13 5/8 x 9 3/16 inches, Japan, 1875, Los Angeles County Museum of Art, California