portraiture

Monday's image: June 24, 2019

Susan Rothenberg, Blue Head, Acrylic and vinyl based paint on canvas, 114 x 114 inches, 1980-81, Virginia Museum of Fine Arts, Richmond, Virginia

Monday's image: June 17, 2019

Quentin Massys, Portrait of a Man with a Pink, Oil on panel, 43.2 x 28.4 centimeters, 1504 - 1514, The Art Institute of Chicago, Illinois

Monday's image: June 10, 2019

Bea Maddock, Cast a shadow, Photo-etching, aquatint, black ink on white wove paper, 97.3 x 68.4 centimeters, 1972, Art Gallery of New South Wales, Sydney, Australia

Monday's image: June 3, 2019

Thornton Dial, Flowers for Peace (Primary Title), Pastel, watercolor and pencil on paper, 44 x 30 inches, 1996, Virginia Museum of Fine Arts, Richmond, Virginia

Monday's image: May 20, 2019

Uemura Shōen, Mother and Child, Color on silk, 168 x 115.5 centimeters, 1934, The National Museum of Modern Art, Tokyo, Japan

Monday's image: May 13, 2019

Haegue Yang, Series of Vulnerable Arrangements — Domestics of Community, Installation with seven light sculptures composed of clothing rack and shoe rack on casters, light bulbs, cable, knitting yarn, rope, socks, hammock net, aluminum venetian blinds, stainless steel strainer, paint grill, fish grill, plastic tube, plastic packages, plastic funnel, tin, buttons, metal ring, metal sponge, silver tinsel, mardi gras bits, toy spring, garden supply, and sea shells, Dimensions variable, 2009, Carnegie Museum of Art, Pittsburgh, Pennsylvania

Monday's image: May 6, 2019

Oliffe Richmond, Marathon, Lithograph on paper, 483 x 251 millimeters, 1966, Tate Gallery, U.K.

Monday's image: April 22, 2019

John Ahearn, Pinwheel, Plaster, 95.25 x 110.49 x 15.24 centimeters, 1998, Albright-Knox Art Gallery, Buffalo, New York

Monday's image: March 25, 2019

Eric Cameron, Alarm Clock (3295) (from the series “Thick Paintings “, 1979 - 1994), 3295 layers of acrylic medium on an alarm clock, 43 x 46 x 17 centimeters, 1979-1994, The Musée d'art contemporain de Montréal, Canada

Monday's image: March 18, 2019

Janet Burchill, Jennifer McCamley, SAFE, Neon, electric cables, fittings and transformer, 23 x 150 centimeters, 2005, Art Gallery of New South Wales, Sydney, Australia

Monday's image: March 4, 2019

George Segal, The Curtain, Plaster, glass and painted wood, 214.6 x 99.7 x 90.2 centimeters, 1974, Smithsonian American Art Museum, Washington, D.C.

Monday's image: February 25, 2019

Craig Kauffman, Le Mur s'en va (The wall goes away), Synthetic polymer on acrylic plastic, 185.4 x 120 x 22.9 centimeters, 1969, Art Institute of Chicago, Illinois

Monday's image: February 11, 2019

Salvador Dalí, The Image Disappears, Pen and black ink on ivory wove paper, 647 x 508 centimeters, 1938, Art Institute of Chicago, Illinois

Monday's image: February 4, 2019

Charles Sheeler, Incantation, Oil on canvas, 61.3 x 51.1 centimeters, 1946, Brooklyn Museum, Brooklyn, New York

Monday's image: January 21, 2019

David Bomberg, The Mud Bath, Oil paint on canvas, 152 x 224 centimeters, 1914, Tate Gallery, U.K.

Monday's image: January 14, 2019

Raquel Ormella, This dream, Nylon, 150 x 210 centimeters overall, 2013, Art Gallery of New South Wales, Sydney, Australia

Monday's image: January 7, 2019

Thomas Ruff, jpeg msh01, Chromogenic color print, 276.2 x 188 centimeters, 2004, Museum of Modern Art, New York

Monday's image: December 31, 2018

Mona Hatoum, Light Sentence, Wire mesh, electric motor, timer, light bulb, cables, electric wire, 198 x 185 x 490 centimeters, 1992, Centre Pompidou, Paris, France

Monday's image: December 24, 2018

Gustave Courbet, The Wave, Oil on canvas, 46 x 55 centimeters,1869, National Galleries of Scotland, Edinburgh, Scotland

Monday's image: December 10, 2018

Barbara Probst, Exposure #11A: N.Y.C., Duane & Church Streets, 06.10.02, 3:07 p.m., Inkjet prints, 61.12 x 81.6 centimeters, 2002, San Francisco Museum of Modern Art, California