Artist unidentified, Wreath of Flowers with Mourning Doves and Nest, Reverse painting and foil on glass, 18.5 x 14.5 x 1.5 inches, circa 1870s, American Folk Art Museum, New York
Dan Halter, Rifugiato Mappa del Mondo (Refugee Map of the World), Stitched-together new and used plastic-weave shopping bags, edition: 7 (unique) from a series of 8, 72 x 150 inches, 2016, Buffalo AKG Art Museum, New York
School of Guercino (Giovanni Francesco Barbieri)1591-1666, Two Women Shown Half-Length, Pen and brown ink on cream laid paper, 21.6 x 30.2 centimeters, Princeton University Art Museum, New Jersey
Dylan Mortimer, The Ceiling Can’t Hold Us, Cut paper, paint, glitter, panel, 48 x 96 inches, 2018, Spencer Museum of Art, The University of Kansas, Lawrence
Elena Tejada-Herrera, The Girls Train To Fight, Video, 15’44, 2019 |Who Will Write The History Of Tears, Artists on Women’s Rights, 2021-2022 |Muzeum Sztuki Nowoczesnej w Warszawie, Poland
Jacob Lawrence, They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Casein tempera on hardboard, 18 x 12 inches, 1940-41, The Museum of Modern Art, New York
Luis Arenal Bastar, Head of Indian Woman (Cabeza de indígena), Lithograph, Edition: 8/25, 50.2 x 73.4 centimeters, 1937, Los Angeles County Museum of Art, California
Artist Unknown (possibly by Alexander Gardner), [The Wilderness Battlefield], Albumen silver print from glass negative, 4 15/16 x 3 1/4 inches, 1865-67, The Metropolitan Museum of Art, New York
Rafael Canogar, Police Barricade (Cordón de policía) from The Earth, Lithograph and embossing, from a portfolio of 14 lithographs, 22 1/16 x 30 1/16 inches, 1969, Museum of Modern Art, New York
Egyptian, Old Kingdom, Dynasty 4, reign of Menkaura, Fragment of a Triad, Greywacke: Fist with rust colored pigment, 3 x 4 x 1 9/16 inches, 2532-2510 B.C., Museum of Fine Arts, Boston