cemetery

Monday's image: January 30, 2023

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Fred Williams, Burnt Landscape II (Bushfire Series), Oil paint on canvas, 1748 x 1368 millimeters, 1970, Tate, U.K.

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Monday's image: March 22, 2021

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Lubaina Himid, Carpet, Acrylic paint on canvas, 1219 x 1524 millimeters, 1992, Tate Gallery, U.K.

Monday's image: December 28, 2020

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Hock E Aye Vi Edgar Heap of Birds, Moving Against Earth, Pastel on paper, 55.9 x 75.7 centimeters, 1987, Whitney Museum of American Art, New York

Monday's image: August 10, 2020

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Thomas Lanigan-Schmidt, A Rite of Passage: The Velvet Cat Tail and the Silk Tiger Lily, Wood, metallic foil, 45 RPM vinyl record, artificial flowers, Saran wrap, metal staples, fabric, plastic beads, and fiber-tipped pen, 98.7 x 39.4 x 38.4 centimeters, 1987-1988, Whitney Museum of American Art, New York

Monday's image: May 4, 2020

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Pat Steir, Introduction (from The Burial Mound Series), Drypoint on HMP handmade paper, 25.1 x 25.1 centimeters, 1976, RISD Museum, Providence, Rhode Island

Monday's image: May 27, 2019

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Jacob Lawrence, They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Casein tempera on hardboard, 18 x 12 inches, 1940-41, The Museum of Modern Art, New York

Monday's image: November 12, 2018

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Kurt Schwitters, The Autumn Crocus, Painted concrete, 806 x 298 x 305 millimeters, 1926-8, reconstructed 1958, Tate Gallery, U.K.