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Monday's image: July 26, 2021

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Marsden Hartley, The Wave, Oil on board, 76.8 x 103.8 centimeters, 1940-1941, Worcester Art Museum, Massachusetts

Monday's image: March 22, 2021

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Lubaina Himid, Carpet, Acrylic paint on canvas, 1219 x 1524 millimeters, 1992, Tate Gallery, U.K.

Monday's image: December 7, 2020

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Michelangelo Pistoletto, Father’s Frame, Plaster, gauze and wooden frame, 102 x 69 x 6 centimeters, 1982, Nasjonalmuseet, Oslo, Norway

Monday's image: September 14, 2020

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Clarissa Tossin, Spent, Porcelain and trash, Dimensions variable, 2009, Harvard Art Museums, Cambridge, Massachusetts

Monday's image: September 7, 2020

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Jason Rohrer, Passage, Video game software, Five minutes, 2007, Museum of Modern Art, New York

Monday's image: June 22, 2020

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Rachel Whiteread, Untitled (elongated plinths), Plastic and urethane foam (three elements), each 67.3 x 77.2 x 221.0 centimeters, 1998, Art Gallery of New South Wales, Sydney, Australia

Monday's image: May 18, 2020

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Outi Heiskanen, Castle in the Air and Hiding Cottage, Glass, wood, drypoint, etching, 210 centimeters, 1990, Finnish National Gallery, Helsinki, Finland

Monday's image: April 13, 2020

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Egypt, Dynasty 18, New Kingdom, Amulet of a Birth God, Faience, 3.2 x 1.6 x 0.3 centimeters, circa 1539-1478 B.C.E., Brooklyn Museum, New York

Monday's image: April 6, 2020

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Linda Hofvander, Vik I, Chromogenic print, type C, mounted on treated MDF, 41 x 82 x 99 centimeters, 2013, Moderna Museet, Stockholm, Sweden

Monday's image: March 30, 2020

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Reign of Ibrahim Adil Shah, Probably Bijapur Court, Deccani School, Double folio from a Kitab-i hasha’ish (The book of herbs), Opaque watercolor and ink on paper, 40 x 51 centimeters, 1595, Smithsonian National Museum of Asian Art, Washington, D.C.

Monday's image: August 5, 2019

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Martin Puryear, Sanctuary, Pine, maple and cherry, 126 x 24 x 18 inches, 1982, Art Institute of Chicago, Illinois

Monday's image: July 22, 2019

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Francesco di Giorgio Martini, Saint Bernardino Preaching from a Pulpit, Tempera on parchment, 21 x 14.3 centimeters, 1470-75, The Metropolitan Museum of Art, New York

Monday's image: May 27, 2019

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Jacob Lawrence, They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Casein tempera on hardboard, 18 x 12 inches, 1940-41, The Museum of Modern Art, New York

Monday's image: May 13, 2019

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Haegue Yang, Series of Vulnerable Arrangements — Domestics of Community, Installation with seven light sculptures composed of clothing rack and shoe rack on casters, light bulbs, cable, knitting yarn, rope, socks, hammock net, aluminum venetian blinds, stainless steel strainer, paint grill, fish grill, plastic tube, plastic packages, plastic funnel, tin, buttons, metal ring, metal sponge, silver tinsel, mardi gras bits, toy spring, garden supply, and sea shells, Dimensions variable, 2009, Carnegie Museum of Art, Pittsburgh, Pennsylvania

Monday's image: April 29, 2019

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Artist unidentified, possibly Desire Parker, Wonderbread-Bag Rug with Ball of Twine, Plastic Wonderbread bags, 60 inches in diameter, Ledyard, Connecticut, Twentieth century, American Folk Art Museum, New York

Monday's image: March 4, 2019

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George Segal, The Curtain, Plaster, glass and painted wood, 214.6 x 99.7 x 90.2 centimeters, 1974, Smithsonian American Art Museum, Washington, D.C.

Monday's image: December 17, 2018

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Lenore Tawney, Shield II, Natural linen, Chinese golden pheasant feathers, porcupine quills; woven, 61 x 45.7 x 1.3 centimeters, 1963, Museum of Arts and Design, New York

Monday's image: November 12, 2018

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Kurt Schwitters, The Autumn Crocus, Painted concrete, 806 x 298 x 305 millimeters, 1926-8, reconstructed 1958, Tate Gallery, U.K.

Monday's image: October 8, 2018

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Job Koelewijn, Jump, Wood, mirrors, grass, 280 x 600 x 415 centimeters, 2005, De Pont Museum, Tilburg, Netherlands

Monday's image: September 10, 2018

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Laure Prouvost, Eye Sting, Ceramic salt and pepper eyeballs. Salt: stoneware buff clay. Pepper: earthenware red clay. Edition of 25 copies + 10 A.P., 5 centimeters, 2016, M HKA, Antwerp, Belgium