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Monday's image: May 27, 2019

Jacob Lawrence, They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Casein tempera on hardboard, 18 x 12 inches, 1940-41, The Museum of Modern Art, New York

Monday's image: May 13, 2019

Haegue Yang, Series of Vulnerable Arrangements — Domestics of Community, Installation with seven light sculptures composed of clothing rack and shoe rack on casters, light bulbs, cable, knitting yarn, rope, socks, hammock net, aluminum venetian blinds, stainless steel strainer, paint grill, fish grill, plastic tube, plastic packages, plastic funnel, tin, buttons, metal ring, metal sponge, silver tinsel, mardi gras bits, toy spring, garden supply, and sea shells, Dimensions variable, 2009, Carnegie Museum of Art, Pittsburgh, Pennsylvania

Monday's image: December 31, 2018

Mona Hatoum, Light Sentence, Wire mesh, electric motor, timer, light bulb, cables, electric wire, 198 x 185 x 490 centimeters, 1992, Centre Pompidou, Paris, France

Monday's image: November 26, 2018

Betsabeé Romero, Border Memory (Recuerdo de la frontera), Bas relief on rubber, nine Oaxacan black-clay tiles, Multiple dimensions, 2002, Los Angeles County Museum of Art, California

Monday's image: October 29, 2018

Stephen Greene, Mourning (Five Figures with Candles), Oil on canvas, 29 x 23.25 inches, 1947, Carnegie Museum Of Art, Pittsburgh, Pennsylvania

Monday's image: October 15, 2018

Mary Miss, Arrivals and Departures: 100 Doors, Hinged painted wood and mirrors, one hundred parts, 274.3 x 707.4 x 152.4 centimeters, 1986, Museum of Modern Art, New York

Monday's image: October 8, 2018

Job Koelewijn, Jump, Wood, mirrors, grass, 280 x 600 x 415 centimeters, 2005, De Pont Museum, Tilburg, Netherlands

Monday's image: September 24, 2018

Isa Genzken, Fenster (Window), Concrete and steel, 260.9 x 94.9 x 50.3 centimeters, 1990, Museum of Contemporary Art Chicago, Illinois

Monday's image: September 17, 2018

Edward Middleditch, Dead Chicken in a Stream, Oil paint on board, 1365 x 1092 millimeters, 1955, Tate Gallery, U.K.

Monday's image: September 10, 2018

Laure Prouvost, Eye Sting, Ceramic salt and pepper eyeballs. Salt: stoneware buff clay. Pepper: earthenware red clay. Edition of 25 copies + 10 A.P., 5 centimeters, 2016, M HKA, Antwerp, Belgium

Monday's image: July 16, 2018

Fabrice Gygi, Dérouleur de tapis rouge, Varnished steel, blue light, carpet, rubber wheels, Dimensions variable, 1999, Migros Museum für Gegenwartskunst, Zurich, Switzerland

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Monday's image: July 9, 2018

Franz Erhard Walther, Netz (Net), Ochre net, 507 x 154 centimeters, 1963, Museum of Contemporary Art Chicago, Illinois

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Monday's image: July 2, 2018

Claes Oldenburg and Coosje van Bruggen, Big Sweep, Aluminum, stainless steel, polyurethane resin painted with acrylic polyurethane, 376 x 304 x 181 inches, 2006, Denver Art Museum, Colorado

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Monday's image: June 18, 2018

Eugene Von Bruenchenhein, Comitose Intuse, Oil on paperboard, 14 7/8 x 17 1/8 inches, 1955, American Folk Art Museum, New York

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Monday's image: June 11, 2018

Jean Pierre Raynaud, Container, Metal, tiles, wood, warning notice, 221 x 203 x 208 centimeters, 1989, De Pont Museum, Tilburg, Netherlands

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Monday's image: June 4, 2018

Erik Raadal, Girls Waiting for the Train, Oil on canvas, 88.5 x 127 centimeters, 1939, Statens Museum for Kunst, Denmark

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Monday's image: April 9, 2018

Berlinde De Bruyckere, Het hart uitgerukt (The heart torn out), East-Indian ink on paper, 44 x 30 centimeters, 1997-1998, De Pont Museum, Tilburg, Netherlands

Monday's image: April 2, 2018

Sheila Hicks, Blue Letter, Hand-woven wool, 17.75 x 17 inches, 1959, Museum of Modern Art, New York

Monday's image: March 12, 2018

Ejagham peoples, Headdress:Head, Nigeria, Cross River region, Wood, skin, pigment, iron nails, 41.3 x 12.4 x 18.4 centimeters, 19th-20th century, Metropolitan Museum of Art, New York

Monday's image: October 9, 2017

Chryssa, The Gates to Times Square, Welded stainless steel, neon, and Plexiglas, 120 x 120 x 120 inches, 1966, Albright-Knox Art Gallery, Buffalo, New York