sculpture

Monday's image: August 5, 2019

Martin Puryear, Sanctuary, Pine, maple and cherry, 126 x 24 x 18 inches, 1982, Art Institute of Chicago, Illinois

Monday's image: July 8, 2019

Richard Marquis, Confetti Pyramid, Kiln-formed glass, 20.3 x 28.9 x 28.9 centimeters, 2007, The Corning Museum of Glass, Corning, New York

Monday's image: July 1, 2019

Benjamin Armstrong, Old Friends, Blown-glass, pigment, plaster, wax, 104 x 36 x 17 centimeters, 2004, Museum of Contemporary Art, Sydney, Australia

Monday's image: April 22, 2019

John Ahearn, Pinwheel, Plaster, 95.25 x 110.49 x 15.24 centimeters, 1998, Albright-Knox Art Gallery, Buffalo, New York

Monday's image: March 25, 2019

Eric Cameron, Alarm Clock (3295) (from the series “Thick Paintings “, 1979 - 1994), 3295 layers of acrylic medium on an alarm clock, 43 x 46 x 17 centimeters, 1979-1994, The Musée d'art contemporain de Montréal, Canada

Monday's image: March 18, 2019

Janet Burchill, Jennifer McCamley, SAFE, Neon, electric cables, fittings and transformer, 23 x 150 centimeters, 2005, Art Gallery of New South Wales, Sydney, Australia

Monday's image: March 11, 2019

Alex Hay, Crumpled Yellow Paper, Cotton paper, acrylic paint, epoxy resin, sandblasted, 48 x 164 x 113 centimeters, 1967, Moderna Museet, Stockholm, Sweden

Monday's image: March 4, 2019

George Segal, The Curtain, Plaster, glass and painted wood, 214.6 x 99.7 x 90.2 centimeters, 1974, Smithsonian American Art Museum, Washington, D.C.

Monday's image: February 25, 2019

Craig Kauffman, Le Mur s'en va (The wall goes away), Synthetic polymer on acrylic plastic, 185.4 x 120 x 22.9 centimeters, 1969, Art Institute of Chicago, Illinois

Monday's image: February 18, 2019

Janine Antoni, Unveiling, Bronze bell, lead clapper, fabric tassle, Edition 3/3, 53.5 x 33 x 33 centimeters, 1994, Irish Museum of Modern Art, Dublin, Ireland

Monday's image: December 31, 2018

Mona Hatoum, Light Sentence, Wire mesh, electric motor, timer, light bulb, cables, electric wire, 198 x 185 x 490 centimeters, 1992, Centre Pompidou, Paris, France

Monday's image: December 3, 2018

Micheline Beauchemin, Nordic Blue Ice Flow: Homage to the St. Lawrence River, Cotton threads covered with mylar, colored silk threads and linen threads, 162 x 504.5 centimeters, 1984, National Gallery of Canada, Ottawa

Monday's image: November 26, 2018

Betsabeé Romero, Border Memory (Recuerdo de la frontera), Bas relief on rubber, nine Oaxacan black-clay tiles, Multiple dimensions, 2002, Los Angeles County Museum of Art, California

Monday's image: November 19, 2018

Martín Ruiz de Azúa, Basic House (Prototype), Polyester, 200 x 200 x 200 centimeters, 1999, Museum of Modern Art, New York

Monday's image: November 12, 2018

Kurt Schwitters, The Autumn Crocus, Painted concrete, 806 x 298 x 305 millimeters, 1926-8, reconstructed 1958, Tate Gallery, U.K.

Monday's image: November 5, 2018

James Lee Byars, Is, Gilded wood, 33 x 33 x 33 centimeters, 1987, Fundación Jumex, Mexico City, Mexico

Monday's image: October 22, 2018

Phyllida Barlow, STREET untitled: banners, Fabric, plywood, timber, cement, scrim, spraypaint, paint, sealant, 400 x 900 x 500 centimeters, 2010, Migros Museum für Gegenwartskunst, Zurich, Switzerland

Monday's image: October 15, 2018

Mary Miss, Arrivals and Departures: 100 Doors, Hinged painted wood and mirrors, one hundred parts, 274.3 x 707.4 x 152.4 centimeters, 1986, Museum of Modern Art, New York

Monday's image: October 8, 2018

Job Koelewijn, Jump, Wood, mirrors, grass, 280 x 600 x 415 centimeters, 2005, De Pont Museum, Tilburg, Netherlands

Monday's image: September 24, 2018

Isa Genzken, Fenster (Window), Concrete and steel, 260.9 x 94.9 x 50.3 centimeters, 1990, Museum of Contemporary Art Chicago, Illinois