Félix Vallotton, Le Cimetière militaire de Châlons, Oil on canvas, 54 x 80 centimeters, 1917, La Contemporaine (bibliothèque, archives, musée des mondes contemporains), Paris, France
Peter W. Butcher, Ellis Developments, Ltd., Surgical Implant, Polyester suture thread, machine-embroidered, 142 x 142 millimeters, 2004, Victoria and Albert Museum, U.K.
Sophie Ristelhueber, Untitled from the series FAIT, Chromogenic color print, Edition: 1/3, 100.97 x 125.73 x 5.72 centimeters, 1992, Albright-Knox Art Gallery, Buffalo, New York
Alessandro Mendini, Giacca, Sculpture in golden mosaic, painted metal furniture, 230 x 155 x 55 centimeters, 1997-2001, FondationCartier pour l’art contemporain, Paris, France
Jacob Lawrence, They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Casein tempera on hardboard, 18 x 12 inches, 1940-41, The Museum of Modern Art, New York
Lenore Tawney, Shield II, Natural linen, Chinese golden pheasant feathers, porcupine quills; woven, 61 x 45.7 x 1.3 centimeters, 1963, Museum of Arts and Design, New York
Micheline Beauchemin, Nordic Blue Ice Flow: Homage to the St. Lawrence River, Cotton threads covered with mylar, colored silk threads and linen threads, 162 x 504.5 centimeters, 1984, National Gallery of Canada, Ottawa
Judith Scott, Untitled, Yarn, embroidery floss, trims, cardboard, fabric, and newspaper, 36 x 25 x 16 inches, 2000, San Francisco Museum of Modern Art, California