Opening tonight! Social Photography IX, the ninth annual group exhibition of cell phone photography brought to you by Peter Scott and the team at Carriage Trade. Please join us for a celebratory night with peers in support of non-profit galleries in the Lower East Side!

Social Photography IX
August 5 - September 30, 2021
Opening Tonight, 4-8pm

277 Grand St, 2nd Fl.
New York, NY 10002
646-863-3874
Thursday-Sunday, 1-6pm

Online Sales: socialphotography.carriagetrade.org
1 print: $75.00
2 prints: $120.00 (use promo code: 2/$120 at checkout)
3 prints: $150.00 (use promo code: 3/$150 at checkout)

Now in its ninth year, Social Photography brings together cell phone pictures of participants from a wide range of disciplines, generations, and places. In the spirit of broad access to cell phone image making technology, the emphasis of the project leans toward sensibility and the anecdotal over skill and mastery of the medium of photography.

Taking advantage of technologies that allow for images to be sent from anywhere, which are then formatted, printed, and displayed in an in-person exhibition at carriage trade, the range of participants in Social Photography reflect both the gallery’s community in Lower Manhattan as well as those associated with it in other parts of the world. Linking the virtual with the physical through an online display that is then presented in print form, Social Photography IX might be seen as a counterpoint to the increased placelessness of remote exchanges normalized in the pandemic-era.

Spanning nearly a decade, the growing, informal archive of Social Photography cell phone pictures occasionally reflect significant local, national, and international events (Occupy Wall Street, George Floyd protests, U.S. presidential elections, pro-democracy demonstrations in Hong Kong) existing side by side with the everyday, the personal, the urban, and the domestic.

LISA BLAS, Dawn studio (eyelashes), 6:43 a.m., New York — LISA BLAS, *Dawn studio (eyelashes), 6:43 a.m., New York*

About carriage trade :

carriage trade is a NY-based non-profit art space that was founded in 2009. Through presenting primarily group exhibitions, carriage trade functions not as a means to promote the careers of individual artists, but to provide contexts for their work that reveal its relevance to larger social and political conditions prevalent today. The exhibitions combine well known with lesser known artists, and historical pieces with very recent work, often integrating relevant found (archival) material as a means to broaden the scope of an art exhibition by positioning the "evidence" of everyday experience in direct relation to an artist's mediation of social conditions.

I am excited to participate with many friends and colleagues in Social Photography VIII, the eighth annual group exhibition of cell phone photography brought to you by Peter Scott and the team at Carriage Trade.

The rigorous programming at Carriage Trade continues to deliver thought provoking exhibitions and scholarly inquiries into the role of art and culture today. Please consider supporting this unique non-profit institution of the Lower East Side and the art community that sustains it.

Carriage Trade
277 Grand Street, 2nd floor,
New York, NY 10002
646-863-3874

Please Note:

We're following the standard health protocols (masks, social distancing, etc.) and will limit attendance to four to five people at a time. Appointments can be made via See Saw.

If you're nearby and want to know if there's room in the gallery please feel free to call us
at 646-863-3874.

Social Photography VIII

Gallery Exhibition: Now Open
August 5 - September 20, 2020
Hours: Thursday - Sunday, 1 - 6 pm

Online Sales
socialphotography.carriagetrade.org
See details on purchasing below*

Carriage trade is pleased to present Social Photography VIII, the eighth installment of carriage trade’s cell phone photography show. While Social Photography is not guided by an all-encompassing theme, each year’s collection of pictures becomes an informal archive reflecting a range of recent social experience. Taking place in the midst of significant societal vulnerability and political conflict across the U.S., this year’s show presents an opportunity to recognize the importance of the ordinary or everyday in the face of the extraordinary, while also perhaps indicating a certain amount of resilience among the contributors, given the practical and emotional demands of a very uncertain moment.

Cell phones have become a kind of appendage for many, offering the ability to communicate, track, record, and archive every experience, then routinely feed the results into a social media stream. With its scrolling, "bottomless" format encouraging impulsive interaction, a perplexing mix of the anecdotal, the self-promotional, and the politically urgent coexist without perceptible context. Largely indifferent to codes of ethics or aesthetics, all content is subjected to peer rating systems and shifting algorithms that target the user based on their "stimulus patterns", while the split second experience of the social media image guarantees a short shelf life as it perpetually fuels the insatiable appetite of the attention economy.

As an eight plus year project, Social Photography has evolved with cell phone technology and in parallel with the development of social media. What began as an investigation of a novelty medium which simultaneously offered an alternative to the conventional non-profit benefit exhibition has become a kind of tradition, as it sustains and expands carriage trade’s community through its many participants, while helping support upcoming projects. While cell phone images are generally "unstable" through their constant movement within digital platforms, Social Photography links the cell phone picture’s virtual origins to an in-person gallery experience.

Providing a platform for a medium whose relationship to the history of photography remains unclear, Social Photography also exists as an expression of ambivalence towards the professionalization of the image, as well as the hierarchical codes that might restrict our reception of a photograph. While the exhibition has never been thematic and has instead maintained some detachment with respect to content, given the magnitude of current events, the 2020 iteration of Social Photography may reflect the tenor of the times more than most. Considering the degree of uncertainty and tension now present in many people’s lives, we wish to express our enormous gratitude to all who have contributed to this year’s show.