Sculpture
Tony Carter, Virus — Of War and Subjective Seeing , Three easels, painted wooden chair and oil paint on photographic print with printed text, Dimensions variable, 1979-82, Tate , U.K.
Tags: TonyCarter , Sculpture , Installation , easels , newsphotograph , paintedphotograph , TateUK , NYTimes , TelAviv , IsraelHamaswar , ceasefire , sunset , beach , peace , hostageexchange , banners , yellowflag , governmentshutdown , MorePeopleFeeltheStrainOfaShutdown , LayoffFears , NoPay , DisruptedPlans , Joblessness , BlackWorkersCastAsideinPolicyShifts , MexicoHopesItWon'tBetheNextVenezuela , RejectingConceptofArmedHelpAgainstCartelsFromU.S. , TestForIsrael , RepairingTiestoU.S.Voters , ImageStainedByWar , CriticismofItsConduct , GrowsIncreasinglyBipartisan , BehindVotingRightsChallenge , GroupofCitizensinLouisiana , wildfires , EmbersSometimesRiseFromtheDeadtoDevastateCalifornia , holdoverfires , U.S.Army , camouflage , forest , EyeonMenaceinSky , dronewarfare , cloudy , windy , rainfromtropicalstorm
Melchiorre Cafà, Possibly by Ercole Ferrata, Study for the Personification of Silence , Italian, Terracotta, 16.6 centimeters, circa 1664, Harvard Art Museums , Cambridge, MA
Tags: MelchiorreCafà , ErcoleFerrata , Italian , Sculpture , Terracotta , Silence , HarvardArtMuseums , NYTimes , Manila , bodiesofmarines , militaryprocession , TakesTollinPhilippines , TrumpLawyerAmassesClout , WhiteHouse , WashingtonDC , MarcKasowitz , LinesBlurred , BetweenPublicandPrivate , DeepeningDivide , RoilsDemocrats , BaseTiltsLeft , Partyvs.Progressives , StruggleOverIdeology , 2018goals , DunwoodyGeorgia , Democratscallfortestimony , AttorneyGeneralJeffSessions , Senatecommittee , openhearing , SanFrancisco , Uber , BrashWaysUnderFire , LeadershipShuffle , BritishColumbia , CanadianFilm , IndigenousCast , LanguageNearlyLost , Haida , RevivedinaScript , London , BritainShedsPredictabilityInItsPolitics , OpioidCrisis , Vivitrol , advertising , LobbyingGiveDrugABoost , ScientificEvidenceScant , airbase , tarmac , militaryplane , humid , hazy , record-challengingheat
Gretchen Bender, People in Pain , (detail). Paint on heat-set vinyl and neon, 84 × 560 × 11 inches, 1988. Remade by Philip Vanderhyden, 2014. The Estate of Gretchen Bender. Via Whitney Museum , New York.
Tags: GretchenBender , PhilipVanderhyden , WhitneyMuseum , NewYork , NYTimes , Sculpture , language , artinstallation , photography , neon , media , BatonRouge , Nice , Instanbul , safety , community , democracy , socialjustice , grief , advertising , signage , sunshine , humid , hot , eveningthunderstorm