Monday's image: March 25, 2019

Eric Cameron, Alarm Clock (3295) (from the series “Thick Paintings “, 1979 - 1994), 3295 layers of acrylic medium on an alarm clock, 43 x 46 x 17 centimeters, 1979-1994, The Musée d'art contemporain de Montréal, Canada

Monday's image: March 18, 2019

Janet Burchill, Jennifer McCamley, SAFE, Neon, electric cables, fittings and transformer, 23 x 150 centimeters, 2005, Art Gallery of New South Wales, Sydney, Australia

Monday's image: March 11, 2019

Alex Hay, Crumpled Yellow Paper, Cotton paper, acrylic paint, epoxy resin, sandblasted, 48 x 164 x 113 centimeters, 1967, Moderna Museet, Stockholm, Sweden

Monday's image: March 4, 2019

George Segal, The Curtain, Plaster, glass and painted wood, 214.6 x 99.7 x 90.2 centimeters, 1974, Smithsonian American Art Museum, Washington, D.C.

Monday's image: February 25, 2019

Craig Kauffman, Le Mur s'en va (The wall goes away), Synthetic polymer on acrylic plastic, 185.4 x 120 x 22.9 centimeters, 1969, Art Institute of Chicago, Illinois

Monday's image: February 18, 2019

Janine Antoni, Unveiling, Bronze bell, lead clapper, fabric tassle, Edition 3/3, 53.5 x 33 x 33 centimeters, 1994, Irish Museum of Modern Art, Dublin, Ireland

Monday's image: February 11, 2019

Salvador Dalí, The Image Disappears, Pen and black ink on ivory wove paper, 647 x 508 centimeters, 1938, Art Institute of Chicago, Illinois

Monday's image: February 4, 2019

Charles Sheeler, Incantation, Oil on canvas, 61.3 x 51.1 centimeters, 1946, Brooklyn Museum, Brooklyn, New York

Monday's image: January 28, 2019

Cypro-Classical II, Terracotta head of a woman with a veil, Cypriot, Terracotta, 8.3 centimeters, circa 400-310 B.C., The Metropolitan Museum of Art, New York

Monday's image: January 21, 2019

David Bomberg, The Mud Bath, Oil paint on canvas, 152 x 224 centimeters, 1914, Tate Gallery, U.K.

Monday's image: January 14, 2019

Raquel Ormella, This dream, Nylon, 150 x 210 centimeters overall, 2013, Art Gallery of New South Wales, Sydney, Australia

Monday's image: January 7, 2019

Thomas Ruff, jpeg msh01, Chromogenic color print, 276.2 x 188 centimeters, 2004, Museum of Modern Art, New York

Monday's image: December 31, 2018

Mona Hatoum, Light Sentence, Wire mesh, electric motor, timer, light bulb, cables, electric wire, 198 x 185 x 490 centimeters, 1992, Centre Pompidou, Paris, France

Monday's image: December 24, 2018

Gustave Courbet, The Wave, Oil on canvas, 46 x 55 centimeters,1869, National Galleries of Scotland, Edinburgh, Scotland

Monday's image: December 17, 2018

Lenore Tawney, Shield II, Natural linen, Chinese golden pheasant feathers, porcupine quills; woven, 61 x 45.7 x 1.3 centimeters, 1963, Museum of Arts and Design, New York

Monday's image: December 10, 2018

Barbara Probst, Exposure #11A: N.Y.C., Duane & Church Streets, 06.10.02, 3:07 p.m., Inkjet prints, 61.12 x 81.6 centimeters, 2002, San Francisco Museum of Modern Art, California

Monday's image: December 3, 2018

Micheline Beauchemin, Nordic Blue Ice Flow: Homage to the St. Lawrence River, Cotton threads covered with mylar, colored silk threads and linen threads, 162 x 504.5 centimeters, 1984, National Gallery of Canada, Ottawa

Monday's image: November 26, 2018

Betsabeé Romero, Border Memory (Recuerdo de la frontera), Bas relief on rubber, nine Oaxacan black-clay tiles, Multiple dimensions, 2002, Los Angeles County Museum of Art, California

Monday's image: November 19, 2018

Martín Ruiz de Azúa, Basic House (Prototype), Polyester, 200 x 200 x 200 centimeters, 1999, Museum of Modern Art, New York

Monday's image: November 12, 2018

Kurt Schwitters, The Autumn Crocus, Painted concrete, 806 x 298 x 305 millimeters, 1926-8, reconstructed 1958, Tate Gallery, U.K.